Features of Working with Macro Lenses in Shooting Precious Stones

Citation: Galstyan Lilit, "Features of Working with Macro Lenses in Shooting Precious Stones", Universal Library of Arts and Humanities, Volume 02, Issue 04.

Copyright: This is an open access article distributed under the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.

Abstract

The article discusses the specifics of working with macro lenses when photographing gemstones in jewelry photography. The relevance of the research is determined by the need to enhance the quality of visual product assessment in online sales and scientific photomicrographic research. The low conversion rate of the Luxury & Jewelry segment and the need for accurate metrological data necessitate the optimization of macro photography methods. The purpose of the work is to systematize hardware and methodological approaches to selecting and using macro lenses, lighting schemes, and post-processing procedures to ensure maximum detail, accurate color reproduction, and comfortable working conditions. The novelty of the study lies in the comprehensive integration of the aesthetic, metrological, and commercial aspects of gemstone macro photography; in a single review, recommendations on apochromatic correction, the optimal range of focal lengths, and cross-polarization methods are compared with practices in focus stacking and mechanical stabilization. The methodological basis is built on the analysis of 15 sources, including technical specifications of leading macro lenses, industry reports, and focus stacking guides, as well as a comparative analysis of shooting and lighting parameters. The key findings demonstrate that a magnification of at least 1:1 with a focal length of 90–105 mm ensures high detail of facets and internal inclusions at a comfortable working distance; apochromatic designs effectively reduce chromatic aberrations; optimal aperture values of f/8–f/11 in combination with focus stacking allow for uniform sharpness throughout the sample volume; a heavy tripod with a horizontal column and an electronic shutter minimize micro-vibrations; diffuse lighting through light tents, cross-polarization, and acrylic reflectors eliminate unwanted reflections; a strict color calibration protocol and careful cleaning of samples and optics exclude artifacts at megapixel resolution. This article will be helpful to professional jewelry photographers, gemologists, and online retailers of gemstones.

Keywords: Macro Photography, Gemstones, Macro Lenses, Focus Stacking, Apochromatic Correction, Cross-Polarization, Color Calibration, Jewelry Photography.

https://doi.org/10.70315/uloap.ulahu.2025.0204005